Wednesday, 8 June 2016

The Hangman's Daughter


Finished this last week.

The cover caught my eye.

Germany, 1660: When a dying boy is pulled from the river with a mark crudely tattooed on his shoulder, hangman Jakob Kuisl is called upon to investigate whether witchcraft is at play. So begins The Hangman's Daughter - the chillingly detailed, fast-paced historical thriller from German television screenwriter, Oliver Pötzsch - a descendant of the Kuisls, a famous Bavarian executioner clan.

The author being a descendant of the main characters does add an interesting twist to the tale.
The Hangman's Daughter (original title in German: Die Henkerstochter) is a novel by Oliver Pötzsch. First published in Germany by Ullstein Verlag in 2008, it was translated into English and issued digitally under the AmazonCrossing imprint in 2010.[1] A paper edition was released in English by Houghton Mifflin Harcourt in 2010. - Wiki

I really did enjoy this, no doubt about that. However, there were a few rough edges, and I'm not sure whether that's Pötzsch's style or the translator, Lee Chadeayne. If it is Pötzsch, you rather suspect Chadeayne could have smoothed things over without compromising the integrity of the story. I know a translation should remain as faithful as possible, but at times repetition really became distracting:

"My father has always considered me to be a ne'er-do-well," said the young patrician, turning the poker round in the fire. His eyes looked almost dreamily into the fire.

There are a couple of instances where things are repeated three or four times in quick succession, which a strong editor could have ironed out to the advantage of the overall flow. It's a relatively minor issue though, and the characters are really strong: the big bear of an executioner, the vertically challenged doctor and the hangman's daughter who, thanks to the cover illustration, I mentally picture as either a Burton-esque corpse bride or not far off Lydia from Beetlejuice.

The villain of the piece has a suitably memorable disfigurement, and the political motivation for witchcraft trials is stomach twisting.

At times I felt the action scenes could have held more detail, and some of those details juggled continuity precariously, forcing the mind to insert things that weren't there before, but overall it's well paced and engaging. The set up for a macabre mystery series.


[UPDATE: Check out this fascinating article: 10 Executioners Who Met Their Own Dark Ends]

Monday, 6 June 2016

Disruption


Ghostwoods Books are running a participatory sci-fi project called Disruption:

Welcome to the series opener for Disruption, a science fiction collaborative project featuring, well, you. We’re going to post the first story in this project. Then you — yes, you right there — will write the next chapter. At least we hope you’ll give it a try. We’ll choose the best submissions each week — maybe offer a bit of coaching to tweak the story. Then we’ll copy edit it and publish it on the site. One piece a week, we hope.

If at the end of this project we have a book, we’ll sign the chapters that make the final cut and publish it. Right now it’s just an experiment, but we hope it will become something more.

Get on over there and get writing!

Sunday, 5 June 2016

Cumbrian Cthulhu Vol. 5


Hop on over to Cumbrian Cthulhu (@CumbrianCthulhu) and pick up a copy of Vol. 5. It contains a debut story, After The Flesh, by my lovely friend Sean Kingswell (@SeanDKingswell).

Friday, 3 June 2016

Wednesday, 18 May 2016

Shane Irwin


A piece by my university tutor, Shane Irwin. Performed thirteen years ago at The Space, London, as part of Fleshmirror. Created in memory of his father. You can find out more about Shane, his art, performances and poetry on his website.

The floor is your friend